Made late one evening, out of rage. Rage at the rules that tell women to be quiet, to be smaller, to disappear politely. The spikes came from that fury — red as fire, standing up off the ear, impossible to overlook. She stings the ones who'd try to consume her, to smooth her down, to make her like everyone else. But to anyone still being told to shrink, the same spikes say something different: stay armed, stay vivid, bury nothing. She is proud to keep herself intact. Wear her and the room will sort itself — some will flinch, some will finally breathe.

Hand-stitched in fire red and cobalt Miyuki glass beads, built in three dimensions — three sides that refuse to lie flat. At the edge of every side, red and blue fringes stand tall: 5mm at the top, 7mm at the base, so she bristles from every angle and catches the light as she moves. Four cobalt crystals sit where the beadwork breaks — one set into each of the three sides, and one crowning the very top beneath the loop — with a single red glass bead at the base, strung on a blue brass head pin that lifts to a niobium ear wire. She's built hollow, so all that presence sits featherlight on the ear. 6.5cm drop, 3.5cm at her widest point. Niobium is more precious than silver and gentle on the skin — wearable even by those who can't tolerate silver or gold. Not flat. Not quiet. Not made to be overlooked.

Care: Comes with backstops to keep her secure. Hang them up or lay them flat when you're not wearing them. If they lose their shape, use your fingertips to gently press them back.

This piece was made once. It won't be made again. Questions? Get in touch.

These blooms are beautiful, and somewhere they know it. But the world kept asking them to forget.

They grew where they weren't wanted — up through the cracks, toward a sky that was never promised to them. Tall. Fierce. Unapologetically not nice — but beautiful. And still the voices came: shrink, quiet down, be smaller, be sweet.

They don't listen to anyone who can't see their beauty.

So they go soft instead — they listen to their own heart, they let the tears come. They get angry at everything that wanted them silent and small. And then they remember their own strength, and they grow tall again.

Two earrings that refuse to match. One a wreath, one a climbing stem — sisters, never twins. Sky-blue glass blooms hand-stitched along a living green rope, a freshwater pearl crowning each, a raw chrysocolla lapis drop pooling blue-green at the end. Sterling silver ear wires. One falls 7cm, the other 6.1cm — different on purpose, because matching was never the point.

Worn together, they are a small act of defiance you can put on in the morning.

Not nice. Never nice. Beautiful.

Made once. Won't be made again.

Arrives in a linen pouch, ready to wear or gift. Made once. Won't be made again. Questions? Get in touch.

Neon pink woven through rainbow grey — one bright thread, one heavier one, side by side the whole length of her. That's not decoration. That's how a life actually goes: a joyful moment, then a weightier one, then light again. She was made to hold both, and to remember the thing worth remembering — that the storm is always followed by something softer.

At the drop, eight rhodonite stones hang free from a hand-beaded cap, left loose on purpose so they murmur and move as you do — the lighter moments, never pinned down, always following the heavy ones. A single shell pearl weights the other end.

She's a lariat, 82cm, worn three ways. Loop the pearl through and let the free rope fall where you like — you set her length, her drape, her mood. Wear her full-length, the pearl closing her long and low. Or slide the pendant off and wear the rope alone. No clasp, no metal findings anywhere — the closure is beadwork itself, loop meeting pearl, the way it should be. The rope stays soft and supple in the hand, never stiff, falling and moving with you. Woven bead by bead from premium Japanese glass beads, hand-stitched by Annie.

She took four attempts and two months. The first three held the stones too tightly and they couldn't breathe. This one lets them live.

Life holds many faces. She's never only grey, or only pink.

Arrives in a linen pouch, ready to wear or gift. Made once. Won't be made again. Questions? Get in touch.

Give them the gift of finding their own piece — something made once, that won't be made again.

There is a woman who has been through fire and came out the other side still soft. These earrings were made for her.

Fuchsia meets flame orange in a precise geometric form that catches light differently with every movement. At the base, a single pearly lilac crystal hangs like the last ember of something beautiful. Sterling silver wires. 30mm drop.

This is not fast fashion. This is not mass produced. This is one set of colours that will never be combined in quite this way again.

Arrives in a linen pouch, ready to wear or gift. This piece was made once. It won't be made again. Questions? Get in touch.

Lanterns were made for dark days. This one you wear over your heart. Fuchsia, cobalt, forest green, deep orange — colours that don't dim. A talisman for the ones who know that light always finds a way.

A lantern worn over the heart. Two blue jade gemstones sit on either side, holding the gold disc chain. 42cm total length. Gold-filled clasp. Woven from premium Japanese glass beads, each one hand-stitched by Annie. Filled with felt to hold its shape.

Part of the Lantern Festival series. The earrings — Carry The Light — are available separately in the shop.

Care: Hang it up or lay it flat when you're not wearing it.

Arrives in a linen pouch, ready to wear or gift. This piece was made once. It won't be made again. Questions? Get in touch.

Lanterns were made to guide us through the dark. These earrings were made from that feeling. The gemstone charms hanging at the bottom are not decoration — they are light falling around you, quietly reminding you that the way forward is always there.

At six centimetres they have presence. You'll know you're wearing them — and so will everyone in the room. Gold-plated brass hooks.

Hand-stitched by Annie with premium quality beads, gemstones and findings. The colourful lantern is filled with felt to retain its circular shape. The gemstone charms include lapis lazuli, strawberry quartz and malachite — each one chosen for its colour and its energy.

Part of the Lantern Festival series. The necklace is available separately in the shop.

Care: Hang them up or lay them flat when you're not wearing them. If they lose their shape, use your fingertips to gently press them back.

Arrives in a linen pouch, ready to wear or gift. This piece was made once. It won't be made again. Questions? Get in touch.

This is the bracelet you put on when you need to remember who you are.

Red flame and magenta collide in a continuous tubular rope that moves with you, catches light with you, and sits on your wrist like a quiet declaration of strength. Two colours, each one making the other bolder.

No clasp. No fuss. Enough natural stretch to roll over your wrist and stay there, exactly where it belongs. Non-adjustable. Fits wrists 17 to 19 cm.

Arrives in a linen pouch, ready to wear or gift. This piece was made once. It won't be made again. Questions? Get in touch.

Red poppies in a spring field. The breeze moving through young grass. This bracelet was built to hold that feeling — bold enough to stop you, light enough to let your wrist breathe.

Beaded lace. Fiery red and rainbow lime green on transparent white and silver — the kind of bracelet that makes people stop mid-sentence and ask where you got it.

Every bead was hand-stitched by Annie using a needle and thread passing through each individual Miyuki glass bead. The fastening is a snap closure, almost invisible by design — two small glass flower beads mark the spot so you can find it without looking.

Fits wrists up to 17cm. Width 3.5cm. Non-adjustable.

Care: Keep it dry. Bright sun and water will affect the colour and finish. When you're not wearing it, lay it flat.

Arrives in a linen pouch, ready to wear or gift. This piece was made once. It won't be made again. Questions? Get in touch.

As a child I'd line up Lego pieces and bonbons — always contrasting, never matching. Nothing should sit next to its own kind. That's where the beauty is. This choker was made from that instinct.

A crystal rope threaded with neon. Pink, green, blue, orange, yellow — each cube hand-stitched and placed exactly where it belongs. Up close it's intricate. From across the room it's just colour, moving with you.

Sits at the base of the neck. 52cm total length including sterling silver T-bar clasp. Hand-stitched by Annie using premium Japanese glass beads.

Care: Hang it up or lay it flat when you're not wearing it.

Arrives in a linen pouch, ready to wear or gift. This piece was made once. It won't be made again. Questions? Get in touch.

The earth from the outside is luminous, transparent. But inside — minerals, precious stones, colour that has no business being that vivid. This earring was made about what's hidden underneath.

A crystal hoop with a secret. The circular shape is held by a sterling silver wire running invisibly through the centre — you'll never see it, but you'll feel the difference. The hoop moves with you. The neon cubes inside it don't.

Blue, orange, yellow, pink — four colour-blocked cube charms hand-stitched inside the crystal ring. Gold-plated butterfly charm and gold-filled hooks. 5.5cm drop. Lightweight enough to forget you're wearing them. Distinctive enough that no one else will.

Hand-stitched by Annie with premium quality beads and findings.

Care: Hang them up or lay them flat when you're not wearing them. If they lose their shape, use your fingertips to gently press them back.

Arrives in a linen pouch, ready to wear or gift. This piece was made once. It won't be made again. Questions? Get in touch.

They say the diamond represents resilience. This earring hides one inside. It only reveals itself when the piece moves — through the toss and turns, the bold red holds. That's what this is about.

A barrel. A cube. Something in between — the geometry is deliberate. Fire red seed beads woven around a silver frame, interrupted by crystal drops that catch light from every angle. At 40mm drop they sit just below the earlobe. Substantial without being heavy. Architectural without being cold.

Hand-stitched by Annie with premium quality beads, crystals, and sterling silver hooks. The geometric structure of this earring is built on a technique by master beader Jean Power, interpreted here in Annie's colours and materials.

Care: Hang them up or lay them flat when you're not wearing them. If they lose their shape, use your fingertips to gently press them back.

Arrives in a linen pouch, ready to wear or gift. This piece was made once. It won't be made again. Questions? Get in touch.

These flowers look like bright stars in a grey sky — petals spread wide, singing their existence.

Asters once symbolised revolution. They honoured soldiers lost in war. They inspired painters and writers. A flower that carries more weight than it looks like it should.

This bracelet does the same thing.

White and blue seed beads woven into a wide cuff, interrupted by diagonal stripes of gold. Quiet at first glance. Impossible to put down once you've picked it up. The pattern is geometric, precise, the result of thousands of individual beads placed one at a time by hand.

Hand-stitched by Annie with premium quality Japanese seed beads. Gold-plated weaving closure with gold-plated sterling silver chain and lobster claw clasp. Adjustable from 16 to 21cm.

Care: Keep it dry. Bright sun and water will affect the colour and finish. When you're not wearing it, lay it flat.

Arrives in a linen pouch, ready to wear or gift. This piece was made once. It won't be made again. Questions? Get in touch.

Made for the days when you need to remember — a hug is always around the corner. Every time you turn your head, something light and fuchsia will remind you.

The shape came before the name. Something about the curve of these earrings — the way the fuchsia wraps around the silver-white centre — felt like a hug. That's the only way to describe it and Annie isn't going to pretend otherwise.

Fuchsia and deep red seed beads woven around a silver-white core, twisted into a form that moves differently depending on the angle. At 30mm drop they sit close to the face. They twist and turn with you. Feather-light on the ear, impossible to ignore in a room.

Hand-stitched by Annie with premium quality beads and sterling silver hooks.

Care: Hang them up or lay them flat when you're not wearing them. If they lose their shape, use your fingertips to gently press them back.

Arrives in a linen pouch, ready to wear or gift. This piece was made once. It won't be made again. Questions? Get in touch.

A single larkspur flower can go unnoticed. Together they form something proud, tall, impossible to miss. This bracelet was made about that — about what we become when we choose each other.

Larkspurs symbolise positivity and dedication. The name itself has three versions — Lark's Claw, Knight's Spur, Lark's Heel — each one borrowed from the shape of the flower's distinctive spur. A plant with multiple identities and a quiet insistence on its own form.

This bracelet has the same quality.

White and cobalt blue Miyuki Delica glass beads woven into a wide geometric cuff — bold diagonal pattern, precise repeat, the kind of thing you have to look at twice to understand how it was made. Hand-stitched by Annie with a needle and thread passing through each individual bead. The circular beaded clasp is part of the design, not an afterthought.

Non-adjustable. Fits wrists up to 18cm.

Care: Keep it dry. Bright sun and water will affect the colour and finish. When you're not wearing it, lay it flat.

Arrives in a linen pouch, ready to wear or gift. This piece was made once. It won't be made again. Questions? Get in touch.

Not all fire destroys. Some of it just warms. This necklace was made in the colour of a branch holding its red and green leaves close — muted, steady, alive.

Deep mulberry. Burnt sienna. Amber gold. The colours of something that has been through heat and come out richer for it. Scattered across the rope: acid green peridot crystals and dark red Czech glass drops — accents that shouldn't work together and absolutely do.

This is a rope choker that sits at the base of the neck. 50cm total length including gold-plated clasp. The rope is woven from premium Japanese glass beads, each one hand-stitched by Annie. The crystal drops move when you move. Up close the detail is extraordinary. From a distance it reads as pure colour.

Care: Hang it up or lay it flat when you're not wearing it.

Arrives in a linen pouch, ready to wear or gift. This piece was made once. It won't be made again. Questions? Get in touch.

Colourful creatures afloat on sea foam. The colours flying, kissing the surface, alive with every movement. These earrings were made from that feeling.

The wave isn't a shape applied to these earrings. The wave is the stitch itself — created entirely by the tension of the beadwork, no wire, no structure underneath. Just Annie's hands and eight centimetres of crystal beads that somehow hold a curve.

Yellow, blue, green neon cube charms punctuate the wave at intervals — colour explosions on a crystal rope. At 8cm drop they move constantly. Lightweight enough to wear all day. Impossible to ignore while you're wearing them.

Hand-stitched by Annie with premium quality beads and sterling silver hooks.

Also available: the Good Neighbours necklace from the same series — same cube charms, same crystal rope, worn at the neck.

Care: Hang them up or lay them flat when you're not wearing them. If they lose their shape, use your fingertips to gently press them back.

Arrives in a linen pouch, ready to wear or gift. This piece was made once. It won't be made again. Questions? Get in touch.

A pink garden hanging lightly from your earlobes. Spring — not imitated. Impersonated. This earring was made from that first warm day feeling.

Annie was thinking about a garden when she made these. Red and pink blossoms clustered together, the way flowers actually grow — in groups, imperfect, alive. That's what the clusters of fuchsia, red and acid green beads are doing at 60mm drop. Not imitating flowers. Being something that carries the same feeling.

Six centimetres of movement. Gold-filled hooks. Feather-light on the ear despite the length — the kind of earring you forget you're wearing until you catch them in a mirror and remember why you put them on.

Hand-stitched by Annie with premium quality beads and findings. The flower-on-rope stitch technique was learned from master beader Beth Stone, interpreted here in Annie's colours and materials.

Care: Hang them up or lay them flat when you're not wearing them. If they lose their shape, use your fingertips to gently press them back.

Arrives in a linen pouch, ready to wear or gift. This piece was made once. It won't be made again. Questions? Get in touch.

The lily of the valley grows close to the ground, head bowed toward the earth. Humble in posture. Proud in its uniqueness. A small thing that fills a room. This bracelet was made about that kind of strength.

White and forest green Miyuki Delica glass beads woven into a wide cuff — clean diagonal geometry interrupted by flashes of gold. Hand-stitched by Annie with a needle and thread passing through each individual bead. The result is something that looks architectural from a distance and reveals its detail up close. Silver-plated weaving closure with sterling silver chain and lobster claw clasp. Adjustable from 16 to 20cm.

Care: Keep it dry. Bright sun and water will affect the colour and finish. When you're not wearing it, lay it flat.

Arrives in a linen pouch, ready to wear or gift. This piece was made once. It won't be made again. Questions? Get in touch.

A kiss from the bottom of the ocean. Uneven, flawed, unprocessed — real coral that took millions of years to become itself. A reminder, hanging from your earlobe, of how fragile and extraordinary existence is.

Real coral. Not a bead that looks like coral — actual coral stone, the kind that takes millions of years to form and carries the colour of something alive. The large coral disc at the base. The elongated coral drop alongside it. The beaded rope above connecting everything — orange seed beads, acid green bugle beads, black accents, a single amber bead catching light.

At 70mm drop these are the longest earrings in the collection. They are also the heaviest — 8.31 grams each, compared to 3.62 grams for similar-length beaded earrings. You will feel these on. That weight is the coral. That weight is the point.

Hand-stitched by Annie with premium quality beads and silver-plated brass hooks.

Care: Hang them up or lay them flat when you're not wearing them. If they lose their shape, use your fingertips to gently press them back.

Arrives in a linen pouch, ready to wear or gift. This piece was made once. It won't be made again. Questions? Get in touch.

An ode to the ones who show up first. Before the ground has committed to warmth, before anyone else is ready — bright yellow, certain, completely unbothered by what came before.

Daffodils arrive before anything else. Before the trees remember what to do, before the ground has fully committed to warmth — there they are. Yellow. Certain. Completely unbothered by what came before.

These earrings have the same quality.

White and yellow seed beads woven into a geometric daffodil form, suspended from three gold-plated brass chains hanging from gold-filled wires. At 60mm drop the chains move independently — the beaded flower at the base swings separately from the chains above it. Two things happening at once.

Hand-stitched by Annie with premium quality beads and findings. Good for colour therapy. Genuinely.

Care: Hang them up or lay them flat when you're not wearing them. If they lose their shape, use your fingertips to gently press them back.

Arrives in a linen pouch, ready to wear or gift. This piece was made once. It won't be made again. Questions? Get in touch.

The Milky Way. Two strands twisted together — one dark as deep space, one pale as starlight catching light from a distance. Reflections of the universe, worn around your neck.

Two strands. One dark — cosmic purple and deep green iris beads, the colour of something seen at the edge of a telescope. One light — blush crystal and pale lavender, catching light the way stars do from a distance. Twisted together into a single rope that changes depending on where the light hits it.

This is not a necklace that sits quietly.

50cm total length including sterling silver T-bar clasp. Hand-stitched by Annie using premium Japanese glass beads and Czech crystals.

Care: Hang it up or lay it flat when you're not wearing it.

Arrives in a linen pouch, ready to wear or gift. This piece was made once. It won't be made again. Questions? Get in touch.

The blue of the sea. The blue of the sky. A mineral that took millions of years inside volcanic rock to become this — the earth's gift, worn once, by one person.

Blue agate forms over millions of years — mineral deposits layering slowly inside volcanic rock until the colour emerges. No two stones are ever identical. This one is the kind of blue that makes people stop mid-sentence.

Annie hand-forged a bronze wire and attached it directly to the stone so it hangs from the necklace exactly as it should — suspended, present, the undeniable focal point of everything around it. The rope itself is 75cm of Japanese glass seed beads, silver-grey with scattered blue accents that echo the stone below. Sterling silver T-bar clasp.

This is the most expensive piece in the shop. It is also the most irreplaceable. There is no version two. There is no similar stone waiting. This piece exists once.

Hand-stitched and hand-forged by Annie with premium quality materials.

Care: Hang it up or lay it flat when you're not wearing it.

Arrives in a linen pouch, ready to wear or gift. This piece was made once. It won't be made again. Questions? Get in touch.

The sun interlaced with the sky, the sea, the pearly foam. Four elements of a perfect coastal day, twisted together, worn on your wrist. This bracelet was made from that feeling.

Three strands of Japanese glass beads twisted together — cobalt blue, solar yellow, pearl white. The gold stainless steel shackle clasp is not an afterthought. It's the centrepiece: robust, architectural, the kind of hardware that makes people look twice before they even notice the beads. It screws open and locks into any link along the chain, so the fit is exactly yours — adjustable from 16 to 19cm.

Hand-stitched by Annie with premium quality beads and thread.

Care: Lay it flat when you're not wearing it.

Arrives in a linen pouch, ready to wear or gift. This piece was made once. It won't be made again. Questions? Get in touch.

The red of fire embracing cold black metal. A circle of life held inside a square structure. Bold, warm, alive — the kind of earring that reads as a statement from across the room and reveals its craft up close.

A hoop is a hoop until Annie gets involved. These start with a 40mm eco brass circle and then a square-shaped beaded tube is hand-stitched around the entire circumference — fire pinkish-red and gold-yellow Japanese glass beads wrapped so tightly the metal underneath almost disappears. The result is a hoop that looks like it was grown rather than made.

40mm diameter. Lightweight despite the density of the beadwork. The kind of earring that reads as a statement from across a room and reveals its craft up close.

Hand-stitched by Annie with premium quality Japanese glass beads on eco brass hoops.

Care: Hang them up or lay them flat when you're not wearing them. If they lose their shape, use your fingertips to gently press them back.

Arrives in a linen pouch, ready to wear or gift. This piece was made once. It won't be made again. Questions? Get in touch.